Royal Academy Exhibition of 1840
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The Royal Academy Exhibition of 1840 was the seventy second annual Summer Exhibition of the British Royal Academy of Arts. It was held at the National Gallery in London from 4 May to 24 July 1840 and featured submissions from leading painters, sculptors and architects of the early Victorian era.[1]
J.M.W. Turner submitted a series of paintings including landscape scenes of Venice and Naples. One of his more unusual works was The Slave Ship which showed the crew of a slaver throwing their enslaved prisoners overboard in a scene likely inspired by the eighteenth century Zong massacre.[2] Edwin Landseer, a specialist in animal paintings, featured a number of works including Laying Down the Law. One of his best-known paintings it shows a group of dogs who resemble the proceedings of an English court of law.[3]
Francis Grant, an emerging Scottish portrait painter, displayed Queen Victoria Riding Out featuring Queen Victoria and her Prime Minister Lord Melbourne at Windsor.[4]
Gallery
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The New Moon by J.M.W. Turner -
Bacchus and Ariadne by J.M.W. Turner -
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Rockets and Blue Lights by J.M.W. Turner -

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Horses Taken in to Bait by Edwin Landseer -
The Lion Dog of Malta by Edwin Landseer -
Islay, Tilco, a Macaw and Two Lovebirds by Edwin Landseer -
A View in Cairo by David Roberts -
The First Meeting of Petrarch and Laura by Henry Nelson O'Neil -
The Irish Whiskey Still by David Wilkie -
Nell Gwynn at the Tavern by Charles Landseer -
The Glee Maiden by Robert Scott Lauder -
The Ford by Thomas Creswick -
The Eve of the Deluge by John Martin -
The Assuaging of the Waters by John Martin -
Gil Blas Introducing Himself to Laura by William Simson -
Mars, Venus and an Attendant Derobing her Mistress for the Bath by William Etty -
Andromeda, Perseus Coming to Her Rescue by William Etty -
The Contrast by John Callcott Horsley -
Neapolitan Peasants at the Festa of the Madonna dell'Arco by Thomas Uwins -
Boar Hunters Refreshed at Saint Augustine's Monastery, Canterbury by John Rogers Herbert -
The Banquet Scene in Macbeth by Daniel Maclise -
A Scene from Gil Blas by Daniel Maclise
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A Scene from Twelfth Night by Daniel Maclise -
Almsgiving by Charles West Cope -
A Neapolitan Boy Decorating the Head of His Innamorata by Thomas Uwins -
Ave Maria Scene Near Tivoli by William Collins -
First Love by William Mulready -
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Great Temple at Edfou by David Roberts -
Loss of the Royal George by John Christian Schetky -
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Portrait of Mary Shelley by Richard Rothwell -
Portrait of the Duke of Wellington by John Lucas -
Portrait of Lord Denman by Martin Archer Shee, previously displayed at Exhibition of 1833 -
Portrait of James Rivett-Carnac by Henry William Pickersgill -

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Portrait of Lord Arbuthnott by David Wilkie -
Portrait of Queen Victoria by David Wilkie -
Portrait of Earl of Cottenham by Charles Robert Leslie -
Portrait of the Duke of Sussex by Thomas Phillips -
Portrait of Marshal Soult by George Peter Alexander Healy -
Portrait of John Whichelo by George Frederick Watts -

See also
References
- ^ https://chronicle250.com/1840
- ^ Shanes p.222
- ^ Ormond p.192
- ^ https://www.rct.uk/collection/400749/queen-victoria-1819-1901-riding-out
Bibliography
- Hamilton, James. Turner - A Life. Sceptre, 1998.
- Herrmann, Luke. J.M.W. Turner. Oxford University Press, 2007.
- Murray, Peter. Daniel Maclise, 1806-1870: Romancing the Past. Crawford Art Gallery, 2009.
- Ormond, Richard. Sir Edwin Landseer. Philadelphia Museum of Art, 1981.
- Shanes, Eric. The Life and Masterworks of J.M.W. Turner. Parkstone International, 2012.
- Tromans, Nicholas. David Wilkie: The People's Painter. Edinburgh University Press, 2007.
- Weston, Nancy. Daniel Maclise: Irish Artist in Victorian London. Four Courts Press, 2009.