The Green Scarf
| The Green Scarf | |
|---|---|
![]() Original British quad poster  | |
| Directed by | George More O'Ferrall | 
| Written by | Gordon Wellesley | 
| Based on | The Brute by Guy des Cars | 
| Produced by | Albert Fennell Bertram Ostrer  | 
| Starring | |
| Cinematography | Jack Hildyard | 
| Edited by | Sidney Stone | 
| Music by | Brian Easdale | 
Production company  | B & A Productions  | 
| Distributed by | British Lion Films | 
Release date  | 
  | 
Running time  | 96 minutes | 
| Country | United Kingdom | 
| Language | English | 
The Green Scarf is a 1954 British mystery film directed by George More O'Ferrall and starring Michael Redgrave, Ann Todd, Leo Genn, Kieron Moore, Richard O'Sullivan and Michael Medwin.[1][2] It was written by Gordon Wellesley based on the 1951 Guy des Cars novel The Brute.[3]
Plot
A man is accused of a seemingly motiveless murder.[4]
Cast
- Michael Redgrave as Maitre Deliot
 - Ann Todd as Solange Vauthier
 - Leo Genn as Rodelec
 - Kieron Moore as Jacques
 - Richard O'Sullivan as child Jacques
 - Jane Lamb as Child Solange
 - Michael Medwin as Teral
 - Jane Griffiths as Danielle
 - Ella Milne as Louise
 - Jane Henderson as Mme. Vauthier
 - George Merritt as Advocate General
 - Peter Burton as purser
 - Tristan Rawson as prison governor
 - Henry Caine as ship's captain
 - Phil Brown as John Bell
 - Anthony Nicholls as Goirin
 - Walter Horsbrugh as interpreter
 - Evelyn Roberts as President of the Court
 - Neil Wilson as Inspector
 - Michael Golden as warder
 - Launce Maraschal as Sen. Bell
 - Terence Alexander as wireless operator
 - Frank Singuineau as clerk at telegram desk
 - Wilfrid Brambell as court clerk
 
Production
The film was shot at Shepperton Studios with sets designed by the art director Wilfred Shingleton.[1]
Reception
Critical
The Monthly Film Bulletin wrote: "The melodramatic plot might well have given scope for an interesting character study of Jacques Vauthier; but the director, George More O'Ferrall, makes little use of filmic effects to suggest the extraordinary loneliness of a man unable to hear, see or speak, confronted with a charge of murder. As played by Kieron Moore, Vauthier is a pathetic rather than a sympathetic character, and he never really comes to life: were there some attempt to show the world as Vauthier sees it rather than to show Vauthier through the eyes of the other characters, the task of making a convincing character of a blind deaf-mute might be easier. Michael Redgrave, as the ageing lawyer, seems a little uncertain as to the proper interpretation of the part, and some of his lines are lost on their way through a large ragged beard. The production is on the whole adequate, although the final whodunit denouement appears out of key with the subject."[5]
Leslie Halliwell said: "Plodding courtroom drama with familiar faces in unconvincingly French guise."[6]
In British Sound Films: The Studio Years 1928–1959 David Quinlan rated the film as "average", writing: "Competent-plus cast and interesting plot, although drama doesn't touch many emotional chords."[7]
Box office
In The New York Times, its film critic Bosley Crowther concluded: "The Green Scarf is a mottled and unconvincing thing."[8]
According to Kinematograph Weekly the film was a "money maker" at the British box office in 1954.[9]
References
- ^ a b "The Green Scarf". British Film Institute Collections Search. Retrieved 16 April 2024.
 - ^ Orren (28 January 1955). "The Green Scarf (1954)". IMDb.
 - ^ Ronald Bergan. "The Green Scarf". RadioTimes.
 - ^ "The Green Scarf (1954)". BFI. Archived from the original on 14 January 2009.
 - ^ "The Green Scarf". The Monthly Film Bulletin. 21 (240): 128. 1 January 1954. ProQuest 1305815861.
 - ^ Halliwell, Leslie (1989). Halliwell's Film Guide (7th ed.). London: Paladin. p. 430. ISBN 0586088946.
 - ^ Quinlan, David (1984). British Sound Films: The Studio Years 1928–1959. London: B.T. Batsford Ltd. p. 317. ISBN 0-7134-1874-5.
 - ^ "Movie Reviews". The New York Times. 11 November 2021.
 - ^ Billings, Josh (16 December 1954). "Other monkey makers". Kinematograph Weekly. p. 9.
 
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