The Lateness of the Hour (Eric Matthews album)

The Lateness of the Hour
Studio album by
Eric Matthews
Released1997
LabelSub Pop[1]
ProducerEric Matthews, Tony Lash
Eric Matthews chronology
It's Heavy in Here
(1995) 		The Lateness of the Hour
(1997) 		Six Kinds of Passion Looking for an Exit
(2005)

The Lateness of the Hour is the second album by the American musician Eric Matthews, released in 1997.[2][3] "My Morning Parade" was originally included as a 7" single with the vinyl version of the album.[4] The album was part of the ork pop trend of the 1990s.[5]

Production

The Lateness of the Hour was produced by Tony Lash and Matthews, who also played flugelhorn and harpsichord, among other instruments.[6][7] Jason Falkner played guitar on the album; Matthews's younger brother Wes also contributed.[8][9] Three songs, "Gilded Cages", "To Clear the Air", and "Festival Fun", do not include drums, bass, or guitar.[10] Matthews recorded the vocals and acoustic guitars with Manley microphones.[11]

Critical reception

Professional ratings
Review scores
SourceRating
AllMusic[12]
The Encyclopedia of Popular Music[4]
Entertainment WeeklyB+[7]
MusicHound Rock: The Essential Album Guide[6]

Salon wrote that "it's ironic that the album's best moments are those when he tears down his Brill Building façade and turns the guitars up a bit, as on 'Everything So Real' and especially 'The Pleasant Kind', the one song where Matthews' melodic sensibility doesn't sound grave-robbed."[13] Entertainment Weekly noted that "this smooth, lovely set of melancholia is never overwhelmed by its ambitions."[7]

The Boston Globe stated that "Matthews' exceptional music is lovely and strange; if only his opaque lyrics were equally evocative."[14] Rolling Stone determined that "the piano, bass and spare percussion on 'No Gnashing Teeth' serve an arrangement that would make Brian Wilson proud."[15] The Dayton Daily News opined that Matthews "sings in a hushed whisper reminiscent of the late folkie Nick Drake."[16]

The St. Catharines Standard listed it among the best 20 albums of 1997.[17] The Philadelphia Inquirer also considered it to be one of 1997's best, deeming it a "florid masterwork."[18]

AllMusic wrote that "the best songs have an effortless grace, while even the weaker moments are enjoyable because of the lavish arrangements."[12]

Track listing

No.TitleLength
1."Ideas That Died That Day" 
2."My Morning Parade" 
3."Pair of Cherry" 
4."To Clear the Air" 
5."Yes, Everyone" 
6."Everything So Real" 
7."Becomes Dark Blue" 
8."The Pleasant Kind" 
9."Gilded Cages" 
10."Dopeyness" 
11."Since the Wheel Free" 
12."Festival Fun" 
13."No Gnashing Teeth" 

References

  1. ^ "Cardinal". Trouser Press. Retrieved March 22, 2022.
  2. ^ "Eric Matthews Biography, Songs, & Albums". AllMusic.
  3. ^ O'Connell, Sharon (April 4, 1998). "The Lateness of the Hour". Melody Maker. Vol. 75, no. 14. p. 45.
  4. ^ a b Larkin, Colin (2006). The Encyclopedia of Popular Music. Vol. 5. MUZE. p. 573.
  5. ^ Punter, Jennie (August 23, 1997). "Eric Matthews The Lateness of the Hour". Toronto Star. p. J8.
  6. ^ a b MusicHound Rock: The Essential Album Guide. Visible Ink Press. 1999. p. 723.
  7. ^ a b c "The Lateness of the Hour". Entertainment Weekly.
  8. ^ Wright, Rickey (October 17, 1997). "The Lateness of the Hour". Washington City Paper.
  9. ^ Morris, Chris (August 23, 1997). "Sub Pop feels the time is right for Eric Matthews". Billboard. Vol. 109, no. 34. pp. 10, 104.
  10. ^ Reighley, Kurt B. (October 1997). "Seriously Eric Matthews". CMJ New Music Monthly. No. 50. p. 26.
  11. ^ Epstein, Dan (October 1997). "The magic & craft of classic guitar pop". Guitar Player. Vol. 31, no. 10. pp. 100–108.
  12. ^ a b "The Lateness of the Hour". AllMusic.
  13. ^ Athitakis, Mark (September 4, 1997). "The Lateness of the Hour". Salon.
  14. ^ Wolff, Carlo (January 1, 1998). "Eric Matthews The Lateness of the Hour". Calendar. The Boston Globe. p. 25.
  15. ^ Greenberger, David (September 4, 1997). "The Lateness of the Hour". Rolling Stone. No. 768. p. 70.
  16. ^ Underwood, Bob (October 10, 1997). "Recordings on Review". Go!. Dayton Daily News. p. 20.
  17. ^ Crossingham, John (January 2, 1998). "Best Spins of '97". St. Catharines Standard. p. D1.
  18. ^ Moon, Tom (December 21, 1997). "Music's Hits – and Misses". The Philadelphia Inquirer. p. F1.
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