Ufa Ton-Woche 471/38/1939

Ufa Ton-Woche 471/38/1939 is a German newsreel released on September 14, 1939.[1] Aired just two weeks after the German attack on Poland, it presents a heavily propagandistic account of the campaign. The newsreel features Hermann Göring addressing Berlin factory workers, urging loyalty to Hitler. The retreating Polish forces are depicted as leaving behind scorched earth, while the so-called "Bloody Sunday of Bromberg" is framed as justification for severe reprisals.[2] Antisemitic propaganda portrays Polish Jews as profiteers and criminals inciting violence against Germans, with claims that their relatives in England and France are pushing for war. The newsreel also shows Polish prisoners in camps and Adolf Hitler visiting his troops, reinforcing the narrative that Poles were deceived into fighting for British interests.

Some shots from Ufa Ton-Woche 471 were reused shortly after its release in Fritz Hippler’s Der Feldzug in Polen (The Campaign in Poland) in 1939[3] and in the antisemitic propaganda film Der ewige Jude (1940).[4][5] Outside Germany, this footage was first repurposed as early as 1943 by Franciszka and Stefan Themerson in their experimental anti-Nazi short Calling Mr. Smith. After the war, Erwin Leiser incorporated the segment showing Poles from Bromberg being arrested and marched away for execution into his seminal documentary on National Socialism, Mein Kampf (1960 film), within a section addressing Partisans during the attack on Poland. Today, these images are regarded as some of the most widely recognized visual representations of the Holocaust.

Screenshots

Screenshots of the iconic sequence about Bromberg

Popcultural references

Material from Ufa Ton-Woche 471/1939 appears in other films such as (selection): Der Feldzug in Polen (The Campaign in Poland)(1939), Der ewige Jude (1940), Mein_Kampf_(1960_film), The 81st Blow (1974), The Yellow Star: The Persecution of the Jews in Europe 1933–45 (1981), Genocide (1981 film),The_Number_on_Great-Grandpa's_Arm (2018), Shoah, les oubliés de l’histoire (2014), The U.S. and the Holocaust (2022).

Further reading

  • Ben-Moshe, Yael and Alexander Zöller (2025), Contested Memory - Bromberg 1939, in: in Film and History Issue 7: Iconic Film Footage from the Nazi Era (April 2025).
  • Schmidt, Fabian & Alexander Oliver Zöller (2022), “Filmography of the Genocide: Official and Ephemeral Film Documents on the Persecution and Extermination of the European Jews 1933–1945.” Research in Film and History. Audiovisual Traces, no. 4 (February 2022): 1–160. DOI: https://doi.org/10.25969/mediarep/18245.
  • Schmidt, Fabian & Alexander Oliver Zöller (2021), “Atrocity Film”. Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe, no. 12 (March). https://doi.org/10.17892/app.2021.00012.223.
  • Hornshoej-Moeller, Stig (1995), "Der ewige Jude" Quellenkritische Analyse eines antisemitischen Propagandafilms, IWF Göttingen

References

  1. ^ "UFA-Tonwoche Nr. 471/1939 | filmportal.de".
  2. ^ for a in depth discussion of the connection between the historical events an the footage in the newsreel see Ben-Moshe, Yael and Alexander Zöller. Contested Memory - Bromberg 1939, in: Research in Film and History Issue 7: Iconic Film Footage from the Nazi Era (April 2025) (https://film-history.org/issues/text/contested-memory)
  3. ^ the film uses a passage about the "Assassin of Konitz" (Meuchelmörder von Konitz) from Ufa Ton-Woche 471
  4. ^ https://collections.ushmm.org/search/catalog/irn1002478
  5. ^ see Hornshoej-Moeller, Stig (1995), "Der ewige Jude" Quellenkritische Analyse eines antisemitischen Propagandafilms, IWF Göttingen, p. 192: scene 9-13 shows civilians fleeing with their belongings from Ufa Ton-Woche 471

Digital copy of the preserved film in the Bundesarchiv